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Terminology

Kempo

Many of the concepts and names for items taught in our system are in Japanese. The following glossary is presented as an aid to our students.

Note that i and u are often silent when at the end of a word. For example, “dachi” is generally pronounced “dach” and “masu” would be pronounced “mas”.

The consonants are pronounced as follows:

Consonant English Example Japanese Example
b Boston bunkai
ch China chudan
d doe boshido
f full Fuji
g grind geisha
h heart hapkido
j Japan juni
k kite keri
m morning mon
n now Neko Buto
p parry Nippon
r row reishiki
s sense sensei
t time Tokyo
ts tsetse fly tsuba
w water waza
ya yam Yashimoto
z snooze zenkutsu dachi

Japanese pronunciation usually has no emphasis on syllables. Native English speakers normally put emphasis on syllables as this is natural for the English language. Native Japanese speakers generally do not put emphasis on syllables.

Some examples are as follows:

Word English Mispronunciation Japanese Pronunciation
Tokyo Tok-i-yo tok-yo
Mitsubishi Meets-SU-bee-shee mi-tsu-bi-shi
Inoue In-No-Way i-no-u-e

The Japanese language fairly strictly divides syllables by vowels. If you find a vowel, it is likely the end of a syllable. You will also notice in the above examples that English speakers may put emphasis on syllables whereas the Japanese do not utilize such emphasis. Everything is generally mono-syllabic.

The remainder of this text is a simple glossary of terms.

A

 

Age Rising
Age Uke A rising block
Age Zuki Rising punch
Ago Chin
Aruki No Waza Walking tricks
Ashi Leg or foot
Ashi Ate Waza Foot and/or leg striking tricks
Ashi Kubi Ankle, “neck of the leg”
Ashi Waza Foot and/or leg throwing tricks
Atama Head
Atemi Strikes, particularly with the hands to the body
Atemi Waza Hand strike techniques
Ato Uchi Waza Feinting and misleading tricks
Awase Tsuke U-punch
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B

 

Batto Draw the sword
Bo Long staff
Bogyo Keri Waza Kicking defense techniques
Bojitsu Art of the long staff
Bokken Wooden sword
Boshi Tempered front beveled edge of katana
Bo Waza Long staff techniques
Budo Martial arts emphasizing spiritual, health, and sporting aspects over self defense and combat
Bunkai Application, explanation or evaluation
Bushido Way of the warrior. Unwritten moral and ethical code of the Samurai. Combat arts.
Buto Dancing
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C

 

Chiburi Shaking or dislodging blood from katana, cleaning the blade
Chinugui Wiping blood from the katana blade
Choku Zuki Straight punch
Chudan Middle level, middle of the body, torso
Chudan Uke Middle block
Chu O The middle third of a katana blade
Chushin Waza Balance or centering practices
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D

 

Dachi Stance – spelling of “tachi” when used following another word
Daisho The two swords worn by Samurai. Literally “long and short”
Daito Great sword, the longer of the two swords in the daisho
Dan Degree or Step
Datto Removing sword from belt
Debana Waza Anticipatory movement strategies
Dekata Attitude
Denshi Student
Densho Oral History, History
Do Way, degrees (e.g. ‘yon ju go do’ is 45 degrees)
Dogu Kigakaki Equipment maintenance
Dojo Practice hall, place for learning ‘the way’
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E

 

Eiyo Nutrition
Empi Elbow, flying swallow
Empi Uche Elbow strike
Ennogyo Monkey playing
Eri Collar or lapel
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F

 

Fuchi Katana collar
Fudo Dachi Rooted stance
Fukusa Cutting part of katana blade near tip
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G

 

Gakusei Student
Gainen Concept
Gamae Posture
Gankaku “Crane on the rock”
Ganmen Face
Gedan Lower level, waist level or below
Gedan Berai Uke Lower parry or lower sweeping block
Gedan Juji Uke Lower cross block (X-block)
Geri kick, spelling of ‘keri’ when used following another word
Gi Uniform or practice clothing
Giri cut, spelling of “kiri” when used following another word
Go Five
Godan Fifth
Gokyu Fifth class or classification
Goshin Waza Self-defense techniques
Gyaku Reverse
Gyaku Zuki Reverse punch
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H

 

Ha Blade (sharp) edge of the katana, wing
Habaki Blade collar
Hachi Eight
Hachidan Eighth
Hachikyu Eighth class or classification
Hachihenkeigafu Evasive study of the octagon
Hada Grain – refers to the grain of the katana blade
Hai Yes, back or behind
Haisoku Geri Instep kick
Haito Inner knife hand, ridge hand
Hajime Begin
Hakama Traditional wide legged pants (split skirt) uniform of iaido
Hakkakkei Densho Ethical study of the octagon
Ha-Michi Edge notch – used as a stop for the tsuba
Hamon Temper line of the katana blade
Hangetsu Dachi Side horse stance
Hanshi Root master; honorific title given for one’s character, not just their martial skills
Hara Stomach
Hattatsu Skills, abilities
Heiko Dachi Parallel stance
Heisoku Dachi Attention stance
Hera Peg in back of hakama
Hidari Left
Himo Straps or cords
Hira Ken Half fist
Hiza Knee
Hizagashira Knee cap
Hiza Geri Knee kick
Horimono Engraving or marking on the katana blade
Hyoshi Timing
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I

 

Iaido The way of drawing the sword
Iaido Waza Katana sword exercises and drills
Iai Hiza Kneeling posture for drawing the sword, kneeling on one calf
Iaito Practice katana – usually not sharp
Ichi One
Iie No
Ikkyu First class
Ippon One
Ippon Dachi One point stance, one-legged stance
Ippon Ken Tsuki One knuckle punch
Irimi Nage Entering throw
Irimi Waza Entering techniques or tricks
Ito Braid on the katana tsuka
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J

 

Jitsu Art or technique, alternate spelling of Jutsu
Jiyu Kumite Free sparring
Jiyu Kumite Waza Free sparring techniques, drills, and exercises
Jizengo Additionally, in addition
Jo Short staff
Jodan High level, head level, upper level
Jodan Juji Uke High cross block (X-block)
Jojitsu Short staff techniques
Jo Waza Short staff techniques
Ju ten, gently or pliable
Judan tenth
Juji Dachi Crossed stance
Junbitaiso Waza Warm up exercises
Junjo Process, steps
Jutsu Art or technique
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K

 

Kagi Hook
Kagi Zuki Hook Punch
Kaitten Turning
Kake Geri Hook kick
Kamiza High place, place of the ancestors, place of the gods
Kansetsu Knuckle or joint
Kansetsu Geri Joint Kick
Kansetsu Waza Joint lock techniques
Karate Empty hand
Kashira Butt cap of the tsuka
Kata Shoulder, form or choreographed sequences of movement
Katana Curved Japanese sword worn sharpened edge up
Katate Uchi One handed strike (cut)
Keage Snap (kick)
Kempo Fist Law (see Kenpo below)
Ken Fist, straight double edge sword
Kendo The way of the sword that is already drawn (see ‘iaido’)
Kenpo Way of the fist, fist law (note that ‘n’, when followed by ‘p’, is pronounced ‘m’)
Keri Kick
Keri No Waza Kicking tricks and techniques
Kesa Sash worn diagonally across the chest by Buddhist priests.
Kesa Giri Diagonal downward cut
Ki Inner strength or spirit
Kiai Shout, yell
Kiba Dachi Horse stance
Kidzuki Awareness
Kieru Waza Disappearing techniques
Kihaku Energy
Kihon Teki Fundamentals, basics
Kiku No Kata Energy Gathering
Kime Waza Focusing techniques or exercises
Kimochi Feeling or sensation
Kin Geri Groin kick
Kiri Cut (as in cut with the katana)
Kiri Age Diagonal upward cut
Kiri Gaeshi Large diagonal cut
Kiri Kudashi Finishing cut
Kiri Otoshi Dropping cut, vertical downward cut
Kiryoku Willpower
Kissaki Point sword tip
Kizami Tsuke Jab
Kobudo Ancient Martial Ways
Koga Ken Keiko Repositioning practice with the sword
Koga Waza Escaping techniques
Koiguchi Mouth or opening of the saya
Kojiri Scabbard tip
Kokoro Mind
Kokato Heel
Kokato Geri Heel kick
Kokutsu Dachi Back stance
Kokyu Breath, breath power
Kokyu Waza Breathing exercises or techniques
Koryo Concern, consideration
Koryu Old school, lineage
Koshi Hip, ball of the foot
Koshi Nagae Waza Hip throw techniques
Kote Wrist, lower forearm
Ku Nine
Kubi Neck
Kudan Ninth
Kumite Sparring
Kurikata knob, sageo loop on katana saya
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M

 

Ma Ai Angling and distancing
Mae Front, forward
Mae Geri Front Kick
Mae Keage Front Snap Kick (sometimes mae geri keage)
Mae Tobi Geri Front jump kick
Mageyasu Waza Suppleness exercises
Makiwara Striking or practice board
Makiwara Waza Hand and foot conditioning techniques
Mate Stop, wait
Mawashi Turning, spinning
Mawashi Geri Roundhouse kick
Mawashi Zuki Roundhouse punch
Mekugi Peg that holds the tsuka on the katana.
Mekugi Ana Hole in the katana tang that accepts the mekugi
Mei Signature on a katana blade
Menuki Ornaments on the katana tsuka
Mi The body, one’s self, eyebrow
Migi Right Side
Mikazuki Crescent moon, three day moon
Mikazuki Geri Crescent kick
Momo Thigh
Mon Crest
Mon Gaku Study of the Crest
Mono Uchi The third of the katana blade nearest the tip
Morote Uchi Two handed strike (cut)
Mudansha Non black belt holder
Mune Chest, back of the katana blade
Mushin State of mind without thought, devoid of thought
Mune-machi Back notch on the katana blade against which the tsuba is stopped.
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N

 

Nagae Throw
Nagae Waza Throwing techniques
Nakago Tang of the katana blade
Nakago Jiri The end of the tang of a katana blade
Naihanchi Iron horse
Nana Seven
Nanadan Seventh
Ne Ground, root, base
Ne Waza Ground techniques
Neko Cat
Neko Ashi Dachi Cat leg stance, cat stance
Neko Buto Cat-like dance
Ni Two
Nidan Second
Nidan Geri Double Kick
Nikyu Second class or classification
No Possessive particle
Noto Placing katana blade in the saya
Nukite Spear hand
Nunchaku Flail weapon consisting of two short rods connected by rope or chain
Nunchaku Waza Nunchaku techniques
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O

 

Obi Belt
Oi Lunge, chase, pursue
Oi Waza Chasing or following techniques
Oi Zuki Lunch punch
Omote Front
Onna No Atemi Waza Female vital point striking techniques
Onna No Uke Waza Female receptive tricks
Omote Front
Osae Pressure
Osae Komi pressing, holding down, pinning
Osae Komi Waza Holding Techniques
Otoko No Atemi Waza Male fundamental vital point striking techniques
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P

 

Passai “Penetrate the Fortress” (also often seen spelled “bassai”)
Pinon Peaceful mind
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R

 

Randori Waza Free grappling techniques
Rei Bow
Reigi Etiquette
Reishiki Etiquette
Rokkyu Sixth class or classification
Roku Six
Rokudan Sixth
Rokkyu Sixth class or classification
Ryu Style or school of martial arts training
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S

Sageo Cord from the kurigata on the saya to the hakama himo.
Sakotsu Collarbone
Sai Weapon from Okinawa comprised of three fingers with the middle finger being the longest
Samurai Warrior class of medieval Japan, one who serves
San Three
Sanchin Dachi Hourglass stance
Sandan Third
Sankyu Third class or classification
Saya Katana scabbard
Shichikyu Seventh class or classification
Seppa Metal spaces on either side of tsuba
Seiza Traditional Japanese sitting position
Sempai Senior student
Sensei Teacher, instructor
Seoi Shoulder
Shamen Side of head, temple
Shi four, death
Shichi Seven
Shihan Senior instructor, head of a system, head instructor
Shin Ai Bamboo practice sword used in Kendo
Shinken Sharp blade, live blade
Shodan First
Shomen Front or top of head, front of dojo, front of room, straight ahead
Shomen Uchi Strike at front of head or face
Shu Hand
Shuto Knife hand, “a hand seeking opportunity”
Sui Getsu Solar plexus
Sukiru Skill, ability
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T

 

Tachi Stance, curved sword worn on the belt with the sharpened edge of the blade pointed down
Tachi Mae The side of a katana blade containing the signature
Tachi Waza Standing techniques, techniques done from a standing position
Tai The body
Taito Putting sword into belt
Tanden Area below the navel and the center of ki
Tanto Knife-sized short sword
Tatami Mat, rice straw mat,
Tate Vertical
Tate Ken Vertical fist
Tate Noto Standing noto, inserting the katana blade in the saya with the edge facing up.
Tate Zuki Vertical punch
Tatsu Standing or rising up, dragon
Te Hand
Tei Bottom, street, ward, town
Teito Holding the sword lose by the left side
Teito Shisei Holding sword on left side in obi with thumb on tsuba
Tekubi Wrist, “neck of the hand”
Tekubi Tori Wrist pull
Te Waza Hand techniques, hand throwing techniques
Tetsul Ken Hammer fist
Tori pull, grasp, grab, the one who demonstrates
Tsuba Katana hand guard, disc guard
Tsuba Motto The third of the katana blade nearest the tsuba
Tsuka Katana handle
Tsukagawa Leather wrappings of katana handle
Tsuki Punch (also often spelled ‘Zuki’)
Tsuki No Waza Thrusting Techniques
Tsumasaki Tips of the toes
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U

 

Uchi Inside, strike
Uchi Mawashi Geri Inside roundhouse kick
Uchi Waza Striking techniques
Ude The arm, forearm
Ude Uke Forearm block
Ue Up
Uke Receive, block (receive a strike), workout partner (receiver of a technique)
Uke Nagashi Receive and deflect
Uke Waza Blocking (receiving) techniques
Ukemi Waza Falling techniques
Ura Reverse side, back, behind
Uraken Back of fist
Uraken Uchi Backfist strike
Ura Chudan Uke Reverse middle block
Ura Zuki Reverse side punch
Ure Back of the hand
Ushiro Behind, rearward
Ushiro Geri Back kick
Utsu Attack
Utsuri Switch, change, shift position
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W

 

Wakare Separation
Wakiaashi Shorter of the two swords in the daisho – equivalent to shoto
Wan The arm
Wanto Arm sword
Waza Tricks, techniques, skills, exercises
Wazawaza Doing something especially rather than incidentally. In our case, specific movements or techniques.
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Y

 

Yakiba Hardened part of a katana blade near the edge
Yakusogaku Prearranged sparring
Yama Mountain
Yama tsuke Wide U-hand punch, “mountain punch”
Yame Stop
Yari Spear
Yashuri Mei File marks on the tang of the katana
Yawara Soft, pliable, gentle
Yawara Waza Releasing techniques
Yoho Giri Horizontal cut
Yoi Attention, ready
Yoko Side, horizontal
Yoko Geri Side kick
Yoko Geri Keage Shovel kick, side snap kick (also sometimes “yoko keage geri”)
Yoko Geri Kekomi Side thrust kick
Yokomen Uchi Side strike to head
Yon four
Yondan Fourth
Yonhon Uchi Four finger spear hand strike
Yonkyu Fourth class or classification
Yubi Finger
Yubi Tori Finger pull
Yudansha Black belt level, one who wears a black belt
Yuri Yaka Ni Smooth
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Z

 

Zanshin Awareness, watchfulness,
Zen Japanese sect of Buddhism, in front, before, innate knowledge
Zenkutsu Forward leaning
Zenkutsu Dachi Front stance, forward leaning stance
Zuki Punch, spelling of “tsuki” when following another word
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Numbers

 

1 ichi
2 ni
3 san
4 yon, shi
5 go
6 roku
7 nana, schichi
8 hachi
9 ku
10 ju
11 ju-ichi (ten and one)
12 ju-ni
13 ju-san
14 ju-yon, ju-shi
15 ju-go
16 ju-roku
17 ju-nana, ju-shichi
18 ju-hachi
19 ju-ku
20 ni-ju (two tens)
21 ni-ju-ich (two tens and one)
30 san-ju (three tens)
40 yon-ju, shi-ju
50 go-ju
100 hyaku
1000 sen
Some Examples
123 hyaku ni ju san
45 yon ju go
1453 sen yon hyaku go ju san
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Call us today for more information at (509) 944-1889 or utilize our online contact form.

We are located in Mead (Northern Spokane), WA

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Copyright © 2009, Richard Munson